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The graphic novel that wins Pulitzer Prix of Art Spiegelman, Maus, is a reference point with the Holocaust and the discovery in serious comics – but its complete achievements are more remarkable and more eclectic. Art Spiegelman: The disaster is my Muza followed its beginnings in the 1960s, as co-cretor of Wackky packages commercial cards; Its co-founder of comic book magazines underground Arcade (with Bill Griffith) and Raw (with his wife Fran莽oise Moully); In the shadow of No Towers, his reaction on September 11, inspired by the attacks on his house in Manhattan de Jos; Its controversial covers for The New Yorker (1993-2003), which caused NYPD to choose the magazine office; And his public response to the recent Maus Ban by a Tennessee school council. Spiegelman proves an eloquent guide through his provocative work, with contemporaries (Robert Crumb, Gary Panter) and younger cartoonists (Joe Sacco, Jerry Craft, Molly Crabapple), inspired by Spiegelman’s seamless confrontation.
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